Thursday, December 29, 2011

Newport Christmas

I have always wanted to go to Newport, RI at Christmas time, IMG_5019and every year I miss the opportunity.  So this year I scheduled a trip for the first weekend in December, back in the beginning of November!  It was an easy going trip (not typical – I usually have every second planned, but not this time, I needed the break –  We drove up Friday toured and strolled and returned Sunday.

Newport Preservation Society added Christmas decorations to the Marble House, Breakers and the Elms.  Delightful feather trees and wrapped gifts in bedrooms, trees and poinsettias everywhere – even giant poinsettia balls hung from the ceilings, mantels were dressed, tables topped, kitchens filled with garland and oranges.  We declined the head set audio tours - they are wonderful go at your own pace and full of information; however, I enjoyed a primarily visual only tour of the Marble House and Elms – amazing how different details emerge.   I enjoyed the new family tour option at the Breakers – playful and entertaining – it was nice to tour the house with a child’s perspective (well done preservation society, I hope children are using and enjoying it).  An unusual treat there were a few rooms where we could photograph the Christmas display.  I was delighted to photograph inside!

Breaker’s Main Gate decked with two huge wreaths.IMG_5038The grand ballroom was filled with trees and a single red chair for Santa Claus.  The Breaker’s first floor veranda offered eggnog, cider and cookiesIMG_5028IMG_5031

Marble House’s gothic room – which is an absolute masterpiece in gothic revival style – featured a photographable tree – the tree was in every shot – I attempted every angle possible.  The tree was magnificent,I loved the careful attention to gothic details in the ornaments, a quiet, elegant medieval flare to the Christmas Decorations.  After all, the gothic arch is my favorite arch, with ogee a close second!         IMG_4942  IMG_4944      IMG_4950The Elem’s Mantels were amazing, snow cover topiary trees, sticks, cardinals all nestled in with the mantel statue.  2011-12-04 10.32.38 and a grand poinsettia tree was the focal point of the room.IMG_5016

Magnificent!  What a treat to see these homes at Christmas!  Newport was a Christmas buzz, tree lightings, shops elaborately decorated, and Santa comes to the Warf by way of boat!

Friday, November 11, 2011

The Number 11

I seem to be haunted by the number 11. I have found the time 11:11 is almost magical and continually appearing, it happens to follow me where and when ever I am– 11:11 – it plays peek-a-boo of sorts and usually I find it right at the right moment – but today I lay in wait to pay tribute  -   As this is the 11th day of the 11th month of the 11th year, at exactly 11:11, I tribute with this post an Ode to Eleven, Eleven, Eleven at Eleven, Eleven.  Enjoy the findings.

The Number Eleven:  (from: http://en.wikipedia.org/wiki/11_(number) and http://www.etymonline.com/index.php?term=eleven)

  • Eleven is the first number which cannot be counted with a human's eight fingers and two thumbs additively.
  • In English, it is the smallest positive integer requiring three syllables and the largest prime number with a single-morpheme name.
  • Its etymology originates from a Germanic compound ainlif meaning "one left".).
  • It is also the second number in the "teens."
  • If a number is divisible by 11, reversing its digits will result in another multiple of 11. As long as no two adjacent digits of a number added together exceed 9, then multiplying the number by 11, reversing the digits of the product, and dividing that new number by 11, will yield a number that is the reverse of the original number. (For example: 142,312 x 11 = 1,565,432. 2,345,651 / 11 = 213,241.)
  • Because it has a reciprocal of unique period length among primes, 11 is the second unique prime. 11 goes into 99 exactly 9 times, so vulgar fractions with 11 in the denominator have two digit repeating sequences in their decimal expansions. Multiples of eleven by one-digit numbers all have matching double digits: 00 (=0), 11, 22, 33, 44, etc.
  • Bob Dorough, in his Schoolhouse Rock song "The Good Eleven", called them "Double-digit doogies" (soft g).
  • Eleven is the Aliquot sum of one number, the discrete semi prime 21 and is the base of the 11-aliquot tree.
  • As 11 is the smallest factor of the first eleven terms of the Euclid–Mullin sequence, it is the twelfth term.
  • An eleven-sided polygon is called a hendecagon or undecagon.

So I looked up 11:11 and seeing elevens and little did I know, that these numbers play significance to many – apparently I am not the only one noticing this beautiful yet haunting, palindrome – and there are many ideas about the coincidence of seeing these numbers repeated – enjoy the phenomenon:

  • Numerologists believe that events linked to the time 11:11 appear more often than can be explained by chance or coincidence.  This belief is related to the concept of synchronicity. Other authors believe it is an auspicious sign, and others that it signals a spirit presence.   http://en.wikipedia.org/wiki/11:11_(numerology)
  • “Are you being stalked by a number? Not just any number, but the number 11? If you are, then you are experiencing the strange 11:11 phenomenon. It is one that defies all logic. Everyday, millions of people are mysteriously propelled to look at the time at exactly 11 minutes past the hour. And the numbers show up wherever they go. It's sneaked up to you silently, without warning. Just like it always does. There's simply no escape. The harder you try to get away, the more relentlessly it pursues you. It stares you in the face, plain and square: The Number 11.   ^ "11:11 the phenomenon". Kindred Spirit. http://goliath.ecnext.com/premium/0199/0199-4280285.html.
  • These 11:11 Wake-Up Calls on your digital clocks, mobile phones, VCR’s and microwaves are the "trademark" prompts of a group of just 1,111 fun-loving Spirit Guardians, or Angels, and the 11:11 prompt is their way of using our innate ability for pattern recognition to let us know that they are here.   http://www.1111spiritguardians.com/  watch their youtube video here: http://www.1111spiritguardians.com/whatis1111.htm
  • What's so special about 11/11/11? Nothing unusual, meaningful, ominous or auspicious? Depends on who you ask.   A. In medieval times, numerologists — those who searched for the mystical significance of numbers — believed all numbers had both positive and negative aspects … except for 11. In the words of the 16th century scholar Petrus Bungus, 11 "has no connection with divine things, no ladder reaching up to things above, nor any merit." Stuck between the divine numbers 10 and 12, 11 was pure evil, and represented sinners.  B.  Indeed, the 11:11 phenomenon is widely reported in real life, with entire online discussion forums dedicated to figuring out what the number means. People say they feel haunted by 11s, which appear to them eerily often. To them, the impending date is bound to seem ominous. C. On the flip side, some modern-day numerologists have deemed 11/11/11 auspicious, and according to local news sources around the country, an unusual number of couples have planned to marry on the day. The number 11 is also a favorite of gamblers — particularly blackjack and Keno players. So, amid all these alternative perspectives, what's the real deal about repeating 11s? Is there anything special about the numbers lining up?  D.  No. With regards to the 11:11 phenomenon, rather than being a supernatural warning sign, psychologists say it is a classic case of "apophenia," or the human tendency to find meaning or patterns in randomly occurring data. This condition feeds on itself, because the more conscious you are of something — such as repeating 11s — the more often you'll notice it in the world around you, and thus the more certain you'll become that the pattern is real.   And more…. Read the article by Natalie Wolchover, Life’s Little Mysteries, updated 11/7/2011 http://www.msnbc.msn.com/id/45195313/ns/technology_and_science-science/t/whats-so-special-about/#

And even in today’s news the power of Eleven:

  • “Egypt closes Great Pyramid after rumors of rituals” By BEN HUBBARD - Associated Press  - CAIRO (AP) — Egypt's antiquities authority closed the largest of the Giza pyramids Friday following rumors that groups would try to hold spiritual ceremonies on the site at 11:11 A.M. on Nov. 11, 2011.  The authority's head Mustafa Amin said in a statement Friday that the pyramid of Khufu, also known as Cheops, would be closed to visitors until Saturday morning for "necessary maintenance."  The closure follows a string of unconfirmed reports in local media that unidentified groups would try to hold "Jewish" or "Masonic" rites on the site to take advantage of mysterious powers coming from the pyramid on the rare date.  Amin called all reports of planned ceremonies at the site "completely lacking in truth."   Speaking by phone from the pyramids after 11:11 had passed, al-Asfar said he'd seen nothing out of the ordinary. "Everything is normal," he said. "The only thing different is the closure of the Khufu pyramid."  http://news.yahoo.com/egypt-closes-great-pyramid-rumors-rituals-104026490.html
  • LA Times: Nation Now: “11-11-11 meaning: A special once-a-century repunit palindrome day”  November 11, 2011 | 6:00am  In an email missive, Inan explains that 11-11-11 is a once-in-a-century repunit palindrome day. If you've never heard of the word "repunit" (our word-processing program had not), it means a number such as 11, 111, or 1111 that contains only the digit 1. "The term stands for repeated unit and was coined in 1966 by Albert H. Beiler," writes Inan.  Furthermore, he explains that 111111 equals the product of two palindrome numbers written as 111111=111 x 1001.  He points out that, this year, the month of November has been rich with palindrome days including 1-1-11 (another repunit day), 11-2-11, 11-3-11, 11-4-11, 11-5-11, 11-6-11, 11-7-11, 11-8-11, 11-9-11 and coming soon -- 11-22 11  http://latimesblogs.latimes.com/nationnow/2011/11/11-11-11-is-a-very-special-once-a-century-repunit-palindrome-day.html
  • Happy Nerd New Year! 11/11/11 Is “Nerd New Year” — Here’s How to Turn it Up to 11: Nerds and numerologists get ready: the last binary date of the 21st century is approaching. Friday is 11/11/11 — a highly significant date if you believe in the power of numbers. No doubt thousands of us will see the preponderance of ones as a good time to turn over a new leaf — start that new diet or exercise routine, perhaps. There is some logic to this: as a memorable date, it makes it easy to celebrate your profound change of direction in years to come.  But it’s also a date to celebrate, at least for programmers who think in binary code. One group of hackers has dubbed it “Nerd New Year.” They’ll be lining the streets of Redwood City, in the heart of Silicon Valley, for an outdoor hackathon and party, including the countdown to Nerd New Year itself at 11:11 p.m. “It is ON,” organizer Adam Rifkin told Patch. (That’s a binary joke, by the way.)  http://mashable.com/2011/11/10/111111/

Cheers to you my sneaky number eleven

11.11.11 11:11

November, the Eleventh Month on the Eleventh day in the year Two Thousand Eleven at Eleven Past the Eleventh Hour

Opera

La Traviata came to Baltimore at the Lyric Opera House  last weekend – Beautiful, Romantic, Tragic.  Bravo, Bellisimo, Cheers to Baltimore Opera!  I was fortunate to attend the opening night as a guest with friends Amy and Phil (Phil is in the Orchestra).  While opera is not for everyone, it is delightful, albeit lengthy, but truly a delicious pageantry - a feast for the eyes, ears, and heart.   Music and tale come to life with amazing arias and enchanting costumes all set on the backdrop of an amazing elaborate and decadent stage, visually sweeping you away to another place and time.  

I have been to a few Operas, my first being a sophomore in college “La Boehme”, you never forget your first opera.   I have listened to many more courtesy of  WBJC 91.5 Saturday Opera Fest – and I especially enjoy the Broadcast of the Met Opera performances(Launched in 1931, the Metropolitan Opera’s Saturday matinee broadcasts are the longest-running continuous classical program in radio history.)  I have never watched the Met Opera’s live visual broadcast in movie theaters – however I may have to try that venue too http://www.amctheatres.com/TheMet/

In the Fall of 2009, I came to the Baltimore Opera Company’s Performance of Aiada also by Verdi – it was the last opera before closing it’s doors and going under.  Unfortunately, I wasn’t terribly surprised at the opera company’s own tragic fate.  The Baltimore Opera Company’s Slogan: – I kid you not: “Opera: It’s better than you think, it’s got to be.” the power of positive thinking and brand marketing basics were ignored with those few and incredibly uncomfortable words (I cringe to think of them).  The Egyptian story was preformed beautifully, unfortunately the digital projection style set left much to be desired – it wreaked of 1980’s video game technology – with the occasional horizontal lying Cleopatra styled graphic moving screen saver – like a moving target ready to be shot at by children in an arcade.  It was distracting, especially as a great part of the opera experience  is the interaction of performers and the set – together they tell a compelling story – the set is enticing, the performers provocative. I want to be excited and intrigued; I want to brought into the performance before it begins – with a visual appetizer so to speak.

With the invitation, I was excited to go although not sure what to expect.  I was amazed and impressed, another bravo for Baltimore Opera!  I add my sentiments in agreement to Megan Ihnen’s review found on Opera Pulse Eric Margiore as Alfredo, Photo: Sharon Redmond and Rich Riggins“Grand Opera is undeniably back in Baltimore and as a city and arts community we are better off for it. The gorgeous sets, beautiful singing, talented musicians, and stage direction was a reward for all of the hard work it takes behind the scenes to make opera happen. The enthusiasm is still there both on stage and in the audience. This is no longer an opera company taking gratuitous risks to appease some mythical “public” but a company that is relying on its strengths to bring high quality performances to Baltimore. I can think of no better way to rebuild opera’s presence here than to strive for excellence and value in each facet of the company. That is why I join the audience from opening night in saying “bravo” to Lyric Opera Baltimore.” Quotation and Baltimore Photo Credits: http://www.operapulse.com/2011/11/05/news/lyric-opera-baltimore-is-reborn-with-stunning-la-traviata-review/ I will plan to be in the audience at Mozart’s Le Nozze di Figaro in March 2012!

The Opera 411:

The Opera “La Traviata” by Giuseppe Verdi  Based on the novel La Dame aux Camélias by Alexandre Dumas, fils.  Sung in Italian with English surtitles (thank you!) Verdi’s immortal telling of the story of the Lady of the Camellias is an opera lovers’ dream, full of passion, sacrifice, love, death, and redemption. The glamorous courtesan Violetta has finally found real love in the embrace of Alfredo. She must give him up for the sake of honor, and unknowing, he heartlessly denounces her in a scene of public humiliation. They reunite on her death bed and she passes into eternity knowing that she at last knew true love.  STARRING: Elizabeth Futral (Violetta), Eric Margiore(Alfredo), Jason Stearns (Germont), Colleen Daly(Flora), Suzanne Chadwick (Annina), Rolando Sanz(Gastone), Kenneth Mattice (Baron), Jimi James(Marquis d’Obigny), Brendan Cooke (Grenvil)   Conductor - Steven White  Stage Director - Crystal Manich  FEATURING: The Baltimore Symphony Orchestra (BSO) conducted by Steven White. The production will be directed by Crystal Manich with opulent sets and costumes from Lyric Opera Chicago.   http://www.lyricoperahouse.com/page_img.php?cms_id=58 see set photo from another production below

 

The Story: Opera Synopsis: La Traviata

ACT I. In her Paris salon, the courtesan Violetta Valéry greets party guests, including Flora Bervoix, the Marquis d'Obigny, Baron Douphol, and Gastone, who introduces a new admirer, Alfredo Germont. This young man, having adored Violetta from afar, joins her in a drinking song (Brindisi: "Libiamo"). An orchestra is heard in the next room, but as guests move there to dance, Violetta suffers a fainting spell, sends the guests on ahead, and goes to her parlor to recover. Alfredo comes in, and since they are alone, confesses his love ("Un dì felice"). At first Violetta protests that love means nothing to her. Something about the young man's sincerity touches her, however, and she promises to meet him the next day. After the guests have gone, Violetta wonders if Alfredo could actually be the man she could love ("Ah, fors'è lui"). But she decides she wants freedom ("Sempre libera"), though Alfredo's voice, heard outside, argues in favor of romance.

ACT II Some months later Alfredo and Violetta are living in a country house near Paris, where he praises their contentment ("De' miei bollenti spiriti"). But when the maid, Annina, reveals that Violetta has pawned her jewels to keep the house, Alfredo leaves for the city to settle matters at his own cost. Violetta comes looking for him and finds an invitation from Flora to a party that night. Violetta has no intention of going back to her old life, but trouble intrudes with the appearance of Alfredo's father. Though impressed by Violetta's ladylike manners, he demands she renounce his son: the scandal of Alfredo's affair with her has threatened his daughter's engagement ("Pura siccome un angelo"). Violetta says she cannot, but Germont eventually convinces her ("Dite alla giovine"). Alone, the desolate woman sends a message of acceptance to Flora and begins a farewell note to Alfredo. He enters suddenly, surprising her, and she can barely control herself as she reminds him of how deeply she loves him ("Amami, Alfredo") before rushing out. Now a servant hands Alfredo her farewell note as Germont returns to console his son with reminders of family life in Provence ("Di Provenza"). But Alfredo, seeing Flora's invitation, suspects Violetta has thrown him over for another lover. Furious, he determines to confront her at the party.

At her soirée that evening, Flora learns from the Marquis that Violetta and Alfredo have parted, then clears the floor for hired entertainers - a band of fortune-telling Gypsies and some matadors who sing of Piquillo and his coy sweetheart ("E Piquillo un bel gagliardo"). Soon Alfredo strides in, making bitter comments about love and gambling recklessly at cards. Violetta has arrived with Baron Douphol, who challenges Alfredo to a game and loses a small fortune to him. Everyone goes in to supper, but Violetta has asked Alfredo to see her. Fearful of the Baron's anger, she wants Alfredo to leave, but he misunderstands her apprehension and demands that she admit she loves Douphol. Crushed, she pretends she does. Now Alfredo calls in the others, denounces his former love and hurls his winnings at her feet ("Questa donna conoscete?"). Germont enters in time to see this and denounces his son's behavior. The guests rebuke Alfredo and Douphol challenges him to a duel.

Elizabeth Futral as Violetta, Photo: Sharon Redmond and Rich RigginsACT III. In Violetta's bedroom six months later, Dr. Grenvil tells Annina her mistress has not long to live: tuberculosis has claimed her. Alone, Violetta rereads a letter from Germont saying the Baron was only wounded in his duel with Alfredo, who knows all and is on his way to beg her pardon. But Violetta senses it is too late ("Addio del passato"). Paris is celebrating Mardi Gras and, after revelers pass outside, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris forever ("Parigi, o cara"). Germont enters with the doctor before Violetta is seized with a last resurgence of strength. Feeling life return, she staggers and falls dead at her lover's feet.

Courteousy of Opera News, by way of the Met Opera Web Page

I especially enjoy the long and dramatic death scene, photographed above: Violetta is cured by her lover’s return which accompanies his regret, understanding and reconciliation -  briefly she feels no pain, she is exhilarated by love’s return, then in a drop, dead.  Alfredo is beyond himself with her tragic end, he came too late, she was taken from her.   The music builds to these moments – you can’t help but clap in the thrill and drama of the moment. Well played.

Sunday, November 6, 2011

Adventures in Singapore: Chapter 14: The Wet Market

Many Ex-Patriot’s are intimidated by the wet market shopping experience.  DSC03535This is where the locals go to get their fresh goods like fruits, vegetables and meats.  Much better prices than the regular grocery store, there’s also the link to local culture – sellers tell you which fruits are ripe – describe an unusual fruit or vegetable and tell you how they prepare it.  Beautiful Market, sights, sounds,the bustle of shoppers, and smells – fruity floral with wafts of durian, and dead fish and meat – sometimes a little pungent.     People going about their business, and me- the tourist, photographing the experience!   Jen and Jeff hadn’t taken photos of the wet market yet – I guess that would be like me taking photos in an American market – but then I realized, I do just that at home too – I love the look of fruits and vegetables piled on top of each other – raw beauty.  My market purchase: a bag of green tomatoes… I was so excited - yum! I had fried green tomatoes in March, in Singapore! Mmmm!

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                             Ginger                                                                         Eggplant

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Asian Cucumber (I think)                                   Beans (Soy, I think)

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                                                           Peanuts a.k.a ground nuts

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                   Quail Eggs                              Star Fruit, Pineapples, and Golden Mangos – mmm.

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Dragon Fruit – Ehtne loves these!      Mangos, Asian Pear, Fragrant Pears, Melons

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and wouldn’t want to miss durian fruit

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Happy Vegetable Seller – posing for my picture!

 

We also picked out a potted Orchid plant for the Balcony – beautiful flower market

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Jen buying fresh pork loin for Sunday’s Dinner  and Jeff and Emma bought some treats.

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Sunday, September 11, 2011

Adventures in Singapore: Chapter 13: Sri Mariamman Temple

Still in Chinatown we rounded the corner and saw the magnificent, hindu temple ornate Sri Mariamman Temple.  It was amazingly intricate and unique, I had never seen anything like this before.  I had to go in, we were in time for visiting hours, and could hear the music beyond the walls where the main shrine was.  Ethne (3) and I took our shoes off, as was required for entrance (huge pile of shoes at the door) and walked around, enjoyed the interesting sights, sounds and smells – burning incense and offerings at the shrines.  There as a fee for bringing in a camera so we just walked around.  Emma, Jen & Jeff waited for us outside.  Beautiful, and a little creepy – some of the statues were not ones you’d want to meet up with in a dark alley.   I did take a few photos of the entrance, perimeter and through the wall openings of the compound.

Description from Wikipedia: http://en.wikipedia.org/wiki/Sri_Mariamman_Temple,_SingaporeP3200303

The Sri Mariamman Temple is Singapore's oldest Hindu temple. It is an agamid temple, built in South Indian Dravidian style.  The Sri Mariamman Temple was founded in 1827 by Naraina Pillai, eight years after the British East India Company established a trading settlement in Singapore. The most outstanding feature of the temple is its impressive gopuram (entrance tower). The gopuram rises above the main entrance along South Bridge Road. It is richly embellished with six tiers of sculptures of Hindu deities, other figures and ornamental decorations. The tower tapers up towards to a moulded ornamental ridge. The scale of each tier and its sculptures is slightly smaller than that of the tier immediately below it. This helps to create the illusion of height, and adds to the symbolic importance of the building. Flanking the gopuram are a sculpture of Murugan on the right and Krishna on the left (as you enter). The sculptures are all of plaster, which allows for fine detailing. They are painted in a variety of bright colours, which adds to the visually spectacular quality of the gopuram.P3200302

The floor plan of the gopuram base block is rectangular, and is bisected by an entrance passageway. The entrance contains a pair of very large double leaf timber doors. The scale of these doors is intended to induce humility in the visitor and emphasize the diminutive human scale in relation to the divine. The doors are studded with a small gold bells arranged in a grid pattern. Devotees are supposed to ring as they move through. Footwear is also stored around the entrance area, as this is not allowed within Hindu temples, as a sign of respect.

The main entrance gopuram is only one of the entrances into the temple compound, which is surrounded by a perimeter wall. Side openings also exist, which open onto the flanking Pagoda and Temple Streets. However, these are mainly used as service entrances, with all devotees and visitors entering through the gopuram doors. The compound wall is also decorated with ornamental mouldings, as well as figures placed on top of the wall at various points, including several prominent seated cow sculptures.

Within the walled compound, the temple comprises a combination of covered halls, shrines and service areas as well as open to sky spaces. Leading directly from the gopuram entrance via a covered hall is a main prayer area, with richly ornamented columns and ceilings with frescoes. The ceiling paintings include a large mandala diagram.

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See a 360 degree tour of the Interior Main Prayer Hall: http://www.singaporevr.com/vrs/SriMariammanTemple/SriMariammanTemple.html

Interesting history, purpose, and festivals – including fire walking… get the real scoop at the Hindu Endowments Board Website: http://www.heb.gov.sg/smt/main-smt.html

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Adjacent building, part of the temple, facility from the street outside.  Decorated with beautiful Indian design elements, I am always a designer!

 

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A Buddhist temple, a Hindu Temple, Chinatown… busy first part of a day... next stop lunch!